Keith returned to the desert a year later to reconnect with a group of Tuareg, Berber, and Bedouin drummers he had met the year before and seek out the silence in the Sahara that had soothed his soul. Motion began to play a more prominent role in his exposures and later that year, Keith enrolled in a guerilla filmmaking course at the New York Film Academy. During this time, he began to dream about Project Zwena and the concept of an experimental documentary about a multi-cultural cross-Saharan caravan. Returning to photography, Keith was commissioned to create a photographic documentary for Chess-in-the-Schools, a New York City non-profit that brings chess to disadvantaged youth throughout the five boroughs. He continues to display his work at art festivals, within corporate collections, and outside the Metropolitan Museum of Art. Most recently, Keith sought out the active lava fields of Hawaii. In connecting with Kilaeua, Hawaii's most active volcano, he began abstracting lava's molten motion on film. The primal energy that he felt while traversing Kilaeua helped provoke new insight into his work and life. back to info...